Vol 4 No 2
Shimla Journal of Poetry and Criticism
Similar Posts
Theorising Selfhood: A Reading of Shashi Deshpande’s
This paper has two parts. The first part seeks to briefly theorise the notion of selfhood in the light of theories propounded by Jung, Maslow, Kohut and others alongside working out its poststructuralist and postmodern implication. The second part of the paper will deal with analysis of Shashi Deshpande’s novel In the Country of Deceit…
Representation of Women in Shama Futehally’s Tara Lane
Literature as discipline necessarily involves representation, and the twentieth century has witnessed a spurt of new literatures. This new trend questions the elitism and exclusiveness of literature so as to represent the voice of the formerly oppressed ‘Other.’ The inaudible and marginalized voice is brought to the forefront so that the earlier erasure and deliberate…
Human World in the Eye of Ghulam Ahmad Mahjoor andArchibald Lampman
The paper aims at to prove that how two poets belonging to two different places,languages have defined their particular societies. The methodology used in this paper isComparative one. Under the canvass of comparative literature I have taken the social themesof the two poets Archibald Lampman and Ghulam Ahmad Mahjoor. Archibald Lampman isa Canadian poet writing…
Postmodernism: The Limits of Questioning
For the postmodern thinkers, the change from the Modern to the Postmodern occurssomewhere between 1960 and 1970. This is certainly an obvious historical perspective topresent the postmodern condition. Thus, the postmodern is also a subject to change in theongoing flux of history. The leftist approach looks at the postmodern as a historical condition.It is for…
The Poetic World of Sujata Bhatt
Indian women’s poetry in English, still a marginalized area of critical study, is slowlygaining ground as a significant and identifiable area of research. The woman writer’sreconstruction of life through the various literary forms and modes emphasizes the validity ofBeheroze Shroff’s statement: “The time has come for women to stop seeing through men’seyes and language–we have…
Interrogating the Meta-narrative of Religion: The FictionalOeuvre of Ngugi wa Thiong’o
This Paper attempts a critical reading of Christianity in colonial times as captured in the early novels from Kenya. We specifically refer to Ngugi’s Weep Not, Child (1964), The River Between (1965), and A Grain of Wheat (1967) to show the author’s disquiet with Christianity as a cog in the wheel of colonialism. We focus…
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