Conifers Call
Vol. 2, No. 1

 

Selected reading from the issue

 
 

The Man Said
Som P. Ranchan

We do not need will-driven heroes
They have done enough harm to polity
Moses, Pharaoh, Perseus
Gandhi
The legion of half-gods and tin-pots…

Where
Hazara Singh

Where equality gets seldom grudged
Dignity of individual is not robbed
And economic justice is not hampered
Such a set-up improves human wealth… 

The Past Haunts
Rita Malhotra

Seeds of recall
An inauspicious past sprouts
Shoots of disturbed thoughts
They branch out
In time’s wailing moments
Only shadows nest in them… 

By a Quirk of Fate
Arnachalam Angappan

Its queer that by a quirk of fate
You passed our anvil half-beaten
Now that you sit over us
We can’t beat the rest…
  

Wole Soyinka: Artist as a Social Activist

Vinay M. Sharma

In Nigeria, Yoruba population theatre groups have always served as the most forthright representation of anti-establishment campaign.   Given the nature of social and political context from which Wole Soyinka’s drama emerges, there is in it a similar acceptance of drama as a vital measure of socio-political indictment. Soyinka is acutely sensitive to the changes in Nigerian political situation, especially the negative social, political and economic trends of neo-colonial establishment. The early sixties were a hot arena in Nigerian political situation, when corruption was rampant and there was total anarchy in the state. It was in the backdrop of such political and social disorder that Soyinka raised a voice “against neo-colonialism, ethnic nepotism, political partisanship and corruption.”1 The existing turmoil in Nigerian society owing to the failure of leadership on the part of the first generation of post-independence politicians, together with the disastrous consequences of economic hardship, civil disorder, war and human carnage made Soyinka think about his role as a writer and as a citizen. ..

Cats Who Swim Through Flea Baths
Amy Lynn Hess(USA)

From Cozy in My Cardboard Box 

If cats would willingly swim through flea
Baths (leaving a trail of dead things as they go)
I wouldn’t have to
give the cat you left
with me  a bath for fleas
and if y ou were here
I wouldn’t  have to pass my time  dreaming…
 

To Uncle
Tasneem Shahnaaz

“I’m going to the hospital tomorrow”
The words rebound in sorrow
The surgeon scalpeled his way
Into the wires pacing uncle’s heart
But could not hold it fast…

GLOBAL PEACE THEORY
(Translated from Pashto into English By: Alley Boling)

Afzal Shauq, (Pakistan)


If and when the invincible book of norms is ignored?
If and when custom of humanity is burnt to dust?
Due to the wicked shadows of greed, lust and other evil doings,
We don’t have the right to be named as human beings. ..


Rozafa today
Mehill Velaj (USA)


Rozoafa laying under the castle
Her wound ever weeping.
Dodona seeking new walled sacrifices
The world’s body renewing its cells  …

 

To the one I love
Kama Sywor Kamanda (France)
Translated from French into English by Elsie Callander

When the seas are turbulent in the soul
I hope to spare you the full force of fate,
Which wants me, in the grip of a sob,
To devise still more secret schemes.
Oh woman, wellspring of my dreams,
Minstrel of my humanist visions…

 

Prasad and Shakespeare-The Patriotic Cosmopolitans
A Comparative Statement
Jagannath Tripathi

Jai Shankar Prasad dominates the Indian letters as Dante or Shakespeare does over Italian or English. Prasad tried his hands in all the possible forms of literature known in his time- drama, epic, lyric, descriptive and narrative poetry, fiction, essay, short story with isolated uniqueness in each. And the amount of his achievements appears to be perfectly balanced to the brilliance of his execution.  Although to the average Indian aesthete, Prasad is still the dreamer, the creator of beauty and singer of love, par excellence, the fact remains that in no poet has India been so completely and beautifully revealed as in his writings. To the Indian, naturally he is as dear as Shakespeare could ever be to the English. A comparison impartial and dispassionate, between these two national masters ought to have been made by far abler minds. But fools rush in where angels fear to tread and the present author took up the subject more as an essay than as a mastered business…

Treatment of Love in Jasvinder Singh’s poetry
Shaleen Kumar Singh

Prof. V.K. Gokak, the editor of the pioneering  The Golden Treasury of Indo-Anglican Poetry from whom we can get a better understanding of Indo-Anglican poetry, if we examine his creative perception with regard to his major themes of poetry – nature, love, man, the heritages of men consisting of myth, legend, history and fine arts. According to him ….

Woodpecker's dream
Mubeen Sadhika

Hard barks
never easy
to drill nor to peck
sucking sap grabbing feast
always routine…
 

Fight   With   Might
Ram Sharma

The night is dark,
but day is bright,
look! both have got ,
a very lovely sight…

You Do What You Have To Do
Chitra Lele 

While others do what they do,
You do what you have to do.

When others talk gibberish and play foul,
You learn to speak the language of the soul.

While others fear of the known,
You do not be afraid of the unknown… 

The paradise on the earth
Vijay Kumar Gupta

Flowers can make this earth beautiful.
Cool and mild breeze can make our atmosphere lovely.
Bricks and stones can make buildings on the earth.
Fool can fulfill our belly. .. 

Shadow-1
Braja K Sarkar

A living dead needs no more weapons
To fight but the fresh air to breath and
Courage to stand up.

I see the deads are living through
The ages, their deeds are
Animated in the history of lives. .. 

THE POETIC WORLD OF SUJATA BHATT
By Mita Biswas

Indian women's poetry in English, still a marginalized area of critical study, is slowly gaining ground as a significant and identifiable area of research. The woman writer's reconstruction of life through the various literary forms and modes emphasizes the validity of Beheroze Shroff's statement: "The time has come for women to stop seeing through men's eyes and language–we have to have a different women's voice." The Indian English women poets of the first phase of development wrote during the crucible years of the 1950s and 1960s of nation building and consequent decolonization. Then came the post-modern second generation women, writing in the recent past of the 70s, 80s and 90s, leading to a new millennium. They were closer to and more conversant with real life movements and modern-day complexities, handling the English medium with more grace, effortlessness, ease and a specifically organized abandon. In this effort Simone de Boeauvoir's assessment of women's literature becomes quite pertinent. "Feminine literature," she says, "is animated less by a wish to demand our rights than by an effort towards clarity and understanding." The en­joyment and interpretation of such literature, hence, can be quite fruit­ful without having a sexist bias. It is a long time since Simone de Beauvoir published The Second Sex (1949) in which her assertion, of a non-sexist and non-prejudiced attitude towards the world of women, established and created a new place for women as equal beings in the existing world order. ..

 

Rainbow Bridge
Vanita Thakkar

 

A cluster of grey, water-laden
Clouds came drifting
Along with the somewhat strong wind,
Hid the Sun…

THE  TAMING  OF  A  POET

(A conversation)
IK Sharma

With  his  head  in  the  clouds,  he  asked:

Where  does  this  path  go?’

‘It  doesn’t  go  anywhere.
People  come  and  go  along  it’,
said  the  old  woman  at  the spinning  wheel…

Nature’s Call
Prem Tanzin Negi

Star studded sky
The effulgence of sun
Shades of moon
Snow clad peaks
Serene deep blue water… 

Colours
Samita Tiwari

They had said dreams would come to me in colours,
but my wait seems endless, for black & white is all I see.

The changing hues of green along the lush country-side,
stir me as do the variegated colours of the blue of waters… 

I Long for a Flight
JasvinderSingh
 

I long for a flight
that will take me
to the heights of fame.
I long to fulfil
my ambition
to be some one in the world…
 

The Sun of Hope
Harish K Thakur

From the top of the mountain hill
Where the Sun keeps its warm head
Every morning,
Runs down the Sun of a new morn
And the sun of my hope
Rises  too… 

No More War Please
Asif Andalib (Bangladesh) 

No more war, please
Please no more war
No more bloodthirsty leader, please… 

Writing a Book Review – Some Reflections
Usha Bande 

A book review is generally defined as a literary activity, an academic pursuit and an intellectual exercise. It is termed a critical analysis of a book; it describes, scrutinizes, evaluates and conveys an opinion, supporting it with evidence from the book. Such definitions provide it a broad base and do not restrict a book review to literature only. Any book, pertaining to any stream –sociology, psychology, history, besides literature – can be (and is) reviewed on the basis of content, style and merit. A book review is also an open forum where one examines and forms an opinion of the writer’s work. One of the simple definitions is, “A book review is both a description and an analysis of a book. It should focus on the book’s purpose, contents and authority. It is not simply retelling.” That gives the book review the status of art and the reviewer becomes an artist. “Writing a book review is an art of writing skills, evaluation and knowledge which takes the merits as well as the demerits of a work…” 

Book Reviews 

Kamla K. Kapur. As A Fountain In A Garden. Chandigarh: Tarang Press, 2005. pp.62. ISBN 81-7010-352-5. Rs. 100.
Reviewed by Nilanshu Kumar Agarwal

Shelley’s expression “Alas! I have nor hope nor health,/ Nor peace within nor calm around” from ‘Stanzas Written in Dejection’ displays the anxiety of his pain-stricken anguished heart. The same dark clouds of dismal despair hover round Kamla Kapur’s celebrated anthology As A Fountain In A Garden, which is the elegiac tribute to her husband Donald Dean Powell, who committed suicide, leaving Kamla in the midst of ‘pregnant emptiness’ of the world. The poems in the collection were written over a period of four years after the suicide of Donald, who was disappointed for not finding a proper appreciation of his creative works… 

Arvind Kumar Choudhary, Universal Voices, I.A.P.E.N. ,Pipra , P.O Domri, Distt. Begusarai, Bihar-851117, India , Pages 48, Paperback Price Rs.75/-
Book Review by  Jasvinder Singh

In the book titled Universal Voices  Dr. Arvind Kumar Choudhary offers a handful of finely crafted poems which reflect his personal feelings about a number of personalities, who have unique qualities which distinguish them to be renowned universally in their respective fields  to promote the genres of Indo-Anglican literature . Their writings in prose and poetry have been perennial sources of fascination and knowledge. In a way, he has done a yeoman’s service to the contemporary literary luminaries by providing a brief poetical pen portrait of each of the luminaries that too in the most economical language. His poems have presented attractive features of each of the luminaries with big revelations to make the readers have a clear picture of their greatness. Some are fellow editors, poets who have dedicated themselves to widen the scope of Indo-Anglican literature through their own writings, and by creating platform for fellow fledgling, grown up littérateurs, and of course, celebrities who have made distinguished contributions in modern Indian literature in English and became known  universally. The poet has won the hearts of many readers through his beaming thoughts, and the new trend he has set which has become a source of attraction for others. He has done very well to select the personalities like Aurobindo Ghose, Adil Jassawala, Dom Moraes, D.C.Chambial , Harish Thakur, Keki N.Daruwala, Kamla Das, Krishna Srinivas, Mahashweta Chaturvedi, Dr. H.Tulsi,  M.R.Anand, Nissim Ezekiel, Syed Ameeruddin, Saroijin Naidu, and others…

R.K.Singh, Sexless Solitude And Other Poems, Prakash Book Depot, Bareilly,2009, Rs 98, pp-86
Book review by Ram Sharma

Dr. R.K.Singh is an established name in Indian English Poetry. He has to his credit 11 poetry collections, namely ,My Silence [1985], Memories Unmemoried[1988], Music Must Sound[1990], Flight of Phoenix[ 1990], Two Poets; R.K.Singh [ I Do Not Question ] Ujjal Singh Bahri [ The Grammar of My Life] [1994], My Silence and other Selected Poems; 1974-1994[ 1996], Above the Earth`s Green [1997], Every Stone Drop Pebble [ a haiku collection , jointly with Catherine Mair and Patricia Prime ,1999], Cover to Cover ; A collection of Poems[ jointly with Myriam Pierri and Giovanni Campisi ,2003] , and The River Returns [2006]. This is his 12th poetry collection….